Lonbraz Kann

The narrative marks the conclusion of an era. Marco, Bissoon, and their companions have dedicated their lives to a sugar factory that is on the brink of shutting down. With sugarcane no longer being lucrative, the land is set to be transformed into opulent villas, golf courses, and recreational areas for affluent tourists, effectively barring the working class from the region. As their familiar world crumbles, some grapple with adapting to their unfamiliar environment, while others opt to emigrate. For Bissoon, the factory’s closure brings feelings of frustration, emptiness, and a sense of neo-colonial discontent. Meanwhile, Marco becomes fascinated by Devi, the spouse of the authoritarian figure in charge of the factory’s demolition. In his ongoing effort to highlight Mauritius in the film industry, David Constantin weaves a tale of the shift from tradition to modernity. Through this, he unveils the reality behind the idyllic image of paradise, presenting a world that is less than picture-perfect.